The Author
“Piyush Mahiskey is a novelist and Technology Architect based in Nagpur, India. A graduate of S.F.S. High School, YCCE College (B.E. in Electrical Engineering), and BITS Pilani (M.Tech. in Software Systems), he blends technical clarity with literary restraint to craft fiction that listens more than it speaks.
His debut novel, Durga in Nigeria, explores diaspora rituals, emotional inheritance, and the quiet reckoning of identity through a lens that refuses spectacle. Set against the backdrop of Navratri and Dusshera in a Nigerian city, the novel is a meditation on silence, memory, and myth—written with cadence, not confession.
By day, Piyush leads digital transformation initiatives at Infosys Nagpur, where his expertise in full-stack development and software architecture informs his narrative structure. By night, he writes with emotional precision, often revising deep into the quiet hours. His creative process is iterative and uncompromising, shaped by a deep respect for earned revelation and psychological inevitability.
Rooted in Nagpur’s cultural geography Piyush sees literature not as performance but as emotional architecture. He draws inspiration from festivals like Pola, Marbat, and Navratri—not as backdrops, but as metaphors for catharsis and continuity.
With Durga in Nigeria, Piyush enters the literary world with quiet defiance and grace—offering a story that honors silence, and a voice that refuses to explain itself.”
The Book
“Durga in Nigeria” is a literary novel that explores displacement, intimacy, and myth-making through the story of Saanidhya Ashtankar—“Saani”—a disciplined product strategist from Pune who undergoes a quiet transformation while living in Lagos. Her near-death experience becomes the seed of a public myth, turning her into a symbol of divine revelation across India. Yet the novel resists miracle—it chooses emotional inevitability.
Spanning 23 chapters, the narrative begins with Anant Joshi’s move from Pune to Lagos, leaving behind his wife Roshni and son Kush. In Lagos, Anant’s bond with Saani evolves from professional collaboration to sacred companionship. Parallel threads explore Roshni’s devotional resilience, Kush’s symbolic presence, Anant’s collapse into broken heart syndrome, and Saani’s internal reckoning. The “Nine Days of Battle” mirror Navratri’s emotional duality, culminating in Saani’s unintended deification. In the final chapter, “”Godwoman””, her silence is reframed as scripture.
Released Worldwide
Testimonials
In Durga in Nigeria, Lagos becomes a landscape of emotion, not geography. The characters don’t just live—they surrender, evolve, and transcend. Piyush Mahiskey transforms cultural rituals into universal metaphors, creating a narrative that feels deeply Indian yet boundlessly global. A debut of rare depth and quiet brilliance.
